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English 212, section 08 -- Topics in Critical Writing: Introduction to African American Rhetoric

NOTE: This syllabus may change as class needs dictate.
1. General information
2. Course information
3. Overview and Objectives
4. Homework & schedule
5. Assignments & Grading

Required Texts:

  • Niane, D.T. Sundiata: An Epic of Old Mali. Pearson, 2006. ISBN 9781405849425
  • Dyson, Michael. Reflecting Black. University of Minnesota Press, 1993. ISBN 0816621438
  • Smitherman, Geneva. Black Talk: Words and Phrases from the Hood to the Amen Corner. Houghton Mifflin Harcourt, 2000. ISBN: 0395969190

Other resources:

  • Student Technology Center, 2nd Floor, Zahnow Library http://www.svsu.edu/stc
  • The Writing Center, 3rd floor, Zahnow Library http://www.svsu.edu/writingcenter/
  • Research assistance at SVSU Zahnow Library here
  • Information Technology Services @ SVSU here
  • English Department grading rubric here [downloads RTF file]
  • Your local public library *elsewhere*

 

 

 

 

1. General information:
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Our look at African American Rhetoric will be in various modes:

We will do some research on the historical evolution from the African Kingdom of Mali (culture), read about contemporary issues in the U.S. (philosophy), listen to and watch examples of African American rhetoric (language), and present an interpretation through culture, philosophy, or language.

We will also explore the purpose and meaning of Adinkra symbols such as these:


The Adinkra symbols used in the class will be connected with the cultural aspects, philosophical perspectives, and language use associated with African American Rhetoric.

Reminders:
Reviewing the Attendance policy, the Assignments policy, and the SVSU policies is beneficial. You will also find specifics on grading and the minimum effort.

If you need to contact me by e-mail at "fidallas@svsu.edu," the subject line should contain your last name, course and section number [for example, using my name the subject line would be: Dallas, English 212-08] to prevent your e-mail from being misplaced as possible spam.

Please ensure that you use your SVSU e-mail account for a reply within 48 hours, otherwise a reply may take up to 96 hours. If I feel the question's response would be of benefit to the entire class, I may place the anonymous question and response in a FAQ section of VSpace.

 

 

 

 

 

2. Course information:
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ENGL212: Emphasizes processes of critical reading and writing, as applied to several modes of communication. Frequent writing assignments for different audiences, with attention to disciplinary conventions and rhetorical strategies for argument in academic discourse. Workshop approaches. Includes work in developing research questions and using library and electronic resources. Refines abilities to analyze both student and professional texts. Specific content for reading may be organized by theme. Sample topics: Introduction of Rhetoric, Reading Media, Writing About the Holocaust, Writing in Cyberspace. (Cross-listed with ENGL 285.) Prerequisite: ENGL 111
Weelll, Rex is hiding in a box...*it's a "cat" thing you know*
 

Teacher:

Dr. Fenobia I. Dallas
Classroom location/days:
Curtiss 141, Tuesdays & Thursdays
Time:
8:30 a.m. - 9:50 a.m.
Office location:
Zahnow Library 219
Fall 2009 Office hours:
MW 9 a.m. - 10 a.m. and by appt.

This is what I will look like when you come by my office to see me.

*shocked*
*surprised*
*doing research*

 

 

 

 

3. Overview and Objectives:
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Overview:
What is African American Rhetoric? We will be reading an epic, Sundiata, examining articles from Reflecting Black and other sources, & listening to and reading oral and written texts to understand the complexity of African American Rhetoric. In-class discussions, group assessments, reaction papers, and visual critiques or interpretations will be components of this course, especially as critical reflections and responses to understanding the complexity and robustness of the culture, philosophy, and language of African Americans.

An analysis paper and course project will present an interpretation of African American Rhetoric through culture, philosophy, or language. The analysis paper will be two to three pages, single-spaced, and the course project will be a group effort, each member contributing a specific part of the project. All assignments will become a part of the course portfolio which is due on CD at the end of the semester.

Course objectives are designed to enable students to:

  • develop strategies for academic critical reading and analysis of oral, written, and visual texts [reaction papers, group discussions & facilitation, class discussions, visual critiques or interpretations]
  • write effective, researched academic texts in English [reaction papers, analysis paper]
  • create a course project that formulates an academic-oriented, critical response to class discussions and readings [course project].


 

 

 

4. Homework & Schedule:
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If you need to contact me by e-mail at "fidallas@svsu.edu," the subject line should contain your last name, course and section number to prevent your e-mail from being misplaced as possible spam.

NOTE 1: All responses and work for the course will be burned to CD (course portfolio) and turned in at the final examination period. This CD will not be returned, so you may wish to make a copy for yourself.

NOTE 2: You may turn in your assignment early if you know you are going to miss a class. I do not accept assignments via e-mail. For each day (or portion thereof) that your assignment is late, two (2) points will be deducted. Lost flash drives, M drive problems, incompatible software versions, or 'homework on computer at home' are not legitimate excuses for late work.


Course weekly schedule:
Activities are DUE on the date indicated by the course schedule. Please review to plan your time wisely.

Class days: T = Tuesday; R=Thursday
Assignments: indicated by bold text
Texts: S=Sundiata; RB=Reflecting Black
Articles: @ VS=at VSpace

Date due
(Theme/Focus) What is due on date indicated or what will be discussed in class
Week 1

T: (Introduction to course -- Welcome | Practice):
- 'welcome' to African American rhetoric
- discuss syllabus and and online system (VSpace)
- take Smitherman quiz in class (Smitherman, 2000)
- practice analysis with sample chapter excerpt
- read "Africa's Lost Cultures" (Haskins & Biondi, 1995, pp. 184-190) @VS for the next class

R
: (Introduction to course | Knowing - Symbols - Adinkra - Overview):
- discuss practices of 'knowing' and course goal; introduce rhetorical terms
- explain the origin and meaning of Adinkra 'symbols'
- set up 'Adinkra' study groups
- discuss "Africa's Lost Cultures" & introduce group blogging
- 'overview' & synopsis of Sundiata
- read Sundiata, pp. 1 - 40 for next class

Week 2 T: Labor day break

R
: (Culture | Epic - Mali - Reaction):
- discuss 'epic' story concept & themes (Answers.com)
- discuss Kingdom of 'Mali' (Haskins & Biondi) [BBC West African Kingdoms]
- discuss 'reaction' paper format
- Adinkra groups discuss Sundiata, pp. 1 - 40 using epic themes
- read Sundiata, pp. 40 - 70 for next class
Week 3 T: (Culture | Seek meaning):
- hand in reaction paper 1 to Sundiata using an epic theme
- explain ways to 'seek meaning' for writing claims
- Adinkra groups discuss Sundiata, pp. 40 - 70 using claims
- read Sundiata, pp. 70 - 84 for next class

R
: (Culture | Rhetorical terms):
- define 'rhetorical terms'
- Adinkra groups discuss Sundiata, pp. 70 - 84 using rhetorical terms
- read "The Proverb Tradition in the Black Experience" (Smitherman, 2000, pp. 231-236) @VS for next class
Week 4 T: (Culture | Proverbs):
- hand in reaction paper 2 to Sundiata using a rhetorical term
- discuss the 'proverb' tradition
- Adinkra groups discuss Smitherman reading--use
three to five terms from Black Talk
- read "Mama Sez" (Dance, 1998, pp. 83-88) @VS in class
- Adinkra groups share common proverbs & experiences
- read Coffee Will Make You Black excerpt (Sinclair/Dance, 2000) @VS for next class

R
: (Culture | Application):
- Adinkra groups discuss Sinclair reading--use three to five terms from Black Talk
- discuss how epics and proverbs are connected as distilled stories of community or life experiences
- Adinkra groups view and discuss clips from Akeelah and the Bee, Barber Shop 2, and Beauty Shop for community or life experiences--use
three to five terms from Black Talk
- read RB chapter 8 for next class
Week 5 T: (Culture | Application):
- hand in reaction paper 3 to Sundiata, Adinkra groups, or Sinclair using a proverb
- Adinkra groups examine claims in RB 8
- Adinkra groups read and listen to lyrics of songs from Public Enemy, Gil Scott-Heron, and Marvin Gaye and analyze cultural framework in class using claims--use
three to five terms from Black Talk 

R
: (Culture | Project day):
- Adinkra groups meet for project planning outside of class--focus on culture
- read African philosophy (James & Sharpley, 1993, pp. 31-37) @VS for next class
- read RB chapter 1 for next class
Week 6 T: (Philosophy | Afrocentricity):
- discuss the 'Afrocentric' approach for analyzing the world
- Adinkra groups discuss African philosophy & RB 1 -- make connections
- read "In My Father's House there were no Images" (Miller, 1994) @VS for next class

R
: (Philosophy | Rhetorical terms):
- Adinkra groups discuss Miller reading using rhetorical terms & claims
- read "Mug Shot: Suspicious Person" (Brown, 1994) @VS for next class
- read RB chapter 10 for next class
Week 7 T: (Philosophy | Seek meaning):
- hand in reaction paper 4 to Miller reading using a rhetorical term & claims
- Adinkra groups discuss Brown reading and RB 10 using proverbs -- make connections
- Adinkra groups read and discuss Alleyne article in class using claims
- read "How Come Nobody Told Me about the Lynching?" (Jones, 1994) @VS for next class

R
: (Philosophy | Claims):
- Adinkra groups discuss Jones reading using proverbs
- Adinkra groups watch & listen to "The Dallas Project"
- read RB chapter 11 for next class
Week 8 T: (Philosophy | Proverbs):
- hand in reaction paper 5 to Brown or Jones readings using a proverb
- Adinkra groups discuss RB 11 using rhetorical terms & claims--make connections
- read Waiting to Exhale excerpt (McMillan/Dance, 2000) @VS for next class

R
: (Philosophy | Application):
- Adinkra groups discuss McMillan reading using proverbs--use
three to five terms from Black Talk 
- Adinkra groups read lyrics and listen to various Soul, R&B, and jazz songs and discuss using proverbs--use
three to five terms from Black Talk 
Week 9 T: (Philosophy | Project day):
- Adinkra groups meet for project planning outside of class--focus on philosophy
- read McWhorter (1998, pp. 127-131) and Lippi-Green (1997, pp. 176-179) excerpts @VS for next class

R
: (Language | Seek meaning - Analysis paper on 'AAR in action'):
- Adinkra groups discuss McWhorter and Lippi-Green readings using rhetorical terms & claims
- discuss analysis paper using AAR terms
- discuss APA citation style
- Adinkra groups view and discuss clips from Drumline, and Madea Goes to Jail for 'AAR in action'--use three to five terms from Black Talk
- read RB chapter 21 for next class
Week 10

T: (Language | Let's Go to Church!):
- watch Kingdom Come, pt. 1 in class
- listen to songs referenced in RB 21
- Adinkra groups blog on reaction to
RB 21

R
: (Language | Let's Go to Church!):
- finish watching Kingdom Come in class
- Adinkra groups discuss 'AAR in action' citing examples from Kingdom Come--use
three to five terms from Black Talk
- Adinkra groups read and listen to lyrics of songs from John P. Kee, Rev. James Cleveland, Mary Mary, and Mississippi Mass Choir using 'AAR in action'
- read "a night at the fantasy factory" (gossett, 2001) @VS for next class
- read "Vive Noir!" (Evans, 2001) @VS for next class
- read "The Territory" (A. Smith, 2001) @VS for next class

Week 11 T: (Language | Rhetorical terms):
- hand in Analysis paper rough draft
- Adinkra groups discuss gossett, Evans & Smith readings using rhetorical terms & claims--use
three to five terms from Black Talk 
- read Nikki Giovanni & Stevie Wonder lyrics (poems) and listen to music in class
- Adinkra groups discuss the spoken word using rhetorical terms

R
: (Language | In-Class Course Project meetings):
- hand in reaction paper 6 to gosset, Evans, or Smith using a rhetorical term & claim
- Adinkra groups meet in class with Dr. Dallas to discuss course project status
-
read Barbara Jordan, M. L. King, Jr., and Pres. Barack Obama speeches @ VS for next class
Week 12 T: (Language | Rhetorical terms - Claims):
- listen to Jordan, King, Jr., and Pres. Obama speeches in class
- Adinkra groups discuss Jordan, King, Jr., and Pres. Obama speeches using rhetorical terms & claims
- read C. Cosby article @ VS in class
- Adinkra groups discuss C. Cosby article using claims
- read Mathis 2 (2002) @ VS for next class

R
: (Language | Rhetorical terms - Claims):
- Adinkra groups discuss Mathis 2 reading using rhetorical terms & claims--use
three to five terms from Black Talk 
- read Mathis 7 (2002) @ VS for next class
Week 13

T: (Language | Rhetorical terms - Claims):
- hand in reaction paper 7 to Mathis 2 using a rhetorical term & claim
- Adinkra groups discuss Mathis 7 reading using rhetorical terms & claims--use
three to five terms from Black Talk 
- read H. Gates article @ VS in class
- Adinkra groups discuss H. Gates article using rhetorical terms & claims--use
three to five terms from Black Talk
- read Mathis 9 (2002) @ VS for next class

R: Thanksgiving break

Week 14

T: (Language | Rhetorical terms - Claims):
- Adinkra groups discuss Mathis 9 reading using rhetorical terms & claims--use
three to five terms from Black Talk 
- read Prom Dress article @ VS in class
- Adinkra groups discuss Prom Dress article using rhetorical terms & claims--use
three to five terms from Black Talk


R: (Interpretation | In-Class Course Project meetings):
- hand in Analysis paper final version
- Adinkra groups finalize course project presentations
- discuss course project evaluations

Week 15 T: (Interpretation | Application):
- Adinkra groups present course projects

R
: (Interpretation | Application):
- Adinkra groups present course projects
Final exam
T: (Final examination):
- Turn in course portfolio on CD
- Read final exam instruction sheet and complete final exam response

 

5. Assignments & Grading:
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Class Discussions, Group Discussion and Facilitation, & Audio Critiques or Interpretations -- 10 points:

Class discussions are to analyze, critique, and supplement reading assignments. Each student is expected to come to class prepared to discuss reading assignments, provide other perspectives on the material, and offer constructive analysis on the material. Students are expected to engage this material from an Afrocentric perspective, using rhetorical terms and claims for analysis.

Andinkra groups are expected to respond or react to the readings through group discussion at VSpace. Each group will have an opportunity to lead or facilitate a class discussion. These discussions should be supplemented by three to five terms from Black Talk. Students are expected to engage this material from an Afrocentric perspective, using rhetorical terms and claims for analysis.

Reaction and response to audio (oral) material will offer an opportunity to discuss and understand the African American rhetorical tradition through the spoken word. Students are expected to engage this material from an Afrocentric perspective, using rhetorical terms and claims for analysis.

Format for assignments and responses:
Each paper will be typed, single-spaced, with one-inch margins. Use Arial 12 point, Bookman Old Style12 point, or Century Gothic 11 point fonts. The top of the paper should be formatted as such:

[your name]
English 212-08
[Adinkra group]
Dr. Dallas
[date]

Then skip a line and center the title of your paper. Skip another line and begin your paper. Your paper should be at least one page, but not more than one page. Your paper should be ready to turn in upon arrival in class.

You may turn in your assignment early if you know you are going to miss a class. I do not accept assignments via e-mail. For each day (or portion thereof) that your assignment is late, two (2) points will be deducted. Lost flash drives, M drive problems, incompatible software versions, or 'homework on computer at home' are not legitimate excuses for late work.

Reaction papers: -- seven papers of 5 points each for a total of 35 points:
One-page, single-spaced reaction papers will analyze and critique readings, using an epic theme, a rhetorical term, claim, or proverb as indicated on the course weekly schedule listing above. These reaction papers should follow an academic discourse model, using a topic, thesis, and topic sentences.

Epic theme: In the thesis statement, identify the epic themes (2 or 3) to be used. The themes should be explained (what they mean to you), and then discussed or analyzed in your response by citing examples from the reading and explaining them. You may use in-text page references as needed.

Rhetorical term & claims: In the thesis statement, identify the rhetorical term to be used. The term should be defined and then explained (what it means to you). As you discuss how the rhetorical term is used, offer claims and proof which justify or prove your analysis in your response, using multiple examples from the reading. You may use in-text page references as needed.

Proverb: In the thesis statement, identify the proverb to be used. The proverb should be defined and then its meaning explained (what it means to you). As you discuss how the proverb is used, offer the historical perspective (put the proverb in a context) and then show how it has evolved into a contemporary usage ("Mama Sez"). Use multiple examples from the reading which justifies or proves your analysis. You may use in-text page references as needed.

Analysis paper: -- the analysis paper is worth 15 points:
This paper should reflect your engagement with African American Rhetoric and academic writing. You will do some library research on an area of interest that is connected to course material.

Rough draft: A (full) one-page, single-spaced rough draft critical analysis paper will examine an aspect of African American rhetoric, using the cultural, philosophical, or language theme. You may extend the discussion on a theme from a Reflecting Black chapter or from other assigned class readings. An outline of the final paper should also be included. The rough draft with at least three academic journal sources or references in APA style is worth 5 points and is due week 11.

Final version: A two- to three-page, single-spaced critical analysis paper will examine an aspect of African American rhetoric, using the cultural, philosophical, or language theme. This paper will cite at least five academic journal references --four print and one website -- in addition to the materials covered in the course. The final version with five academic journal sources or references in APA style is worth 10 points and is due week 14.

Course project: -- each individual segment is worth 5 points (or a percentage based on number in group); total project is worth 20 points:
This project is a combinatory individual assignment and Adinkra group assignment. While each member of the group is responsible for their specific section of the project, all component parts should work together as a whole. In this way, one person is not responsible for the entire project, and there is no need to consume numerous stomach anti-acid tablets.

This project reflects your understanding and resultant application of an African American Rhetoric theme of culture, philosophy, or language. Your group will begin to discuss the course project through a shared discussion space on VSpace. There will also be two scheduled "Project Days" at week 5 and week 9 where you will meet with your Adrinka group outside of class. On those Project Days, we will not meet in the classroom, but any assignments due should be turned in at my office, Zahnow 219 (in the office suite next to the Student Technology Center, 2nd floor of the Library). There is a box outside of my office door. Additionally, at week 11 and week 14, there will be in-class meetings to work on projects.

The total project will be from fifteen to twenty minutes in length. The course project is worth 20 points, will be presented in class, and is due week 15.

The course project should encompass one of these themes:

A speech by an African American (philosophy or language)
An African American movie (culture or language)--must be approved by Dr. Dallas
An African American cultural observance (culture or philosophy)--Kwanzaa, Juneteenth, etc.

This project not only extends your knowledge of the topic, but also allows you to share your critical analysis viewpoint with the class. Projects should be presented from an Afrocentric viewpoint, with the goal to educate, inform, and enlighten. Consider "Funtummireku-Denkyemmireku," "Hwehwemudua," and "Sankofa." Projects may be used by Dr. Dallas in future classes.

Course Portfolio -- 10 points:
Your course assignments will be saved as .RTF files and burned to CD.
This item is due at the final exam period. This CD should be burned before the final examination period, and you should verfiy the readability of the contents by checking on a computer other than the one used to burn your files--if you can't read it, neither can I. You may wish to make a copy for yourself, as this item will not be returned. The assignments and corresponding file names are as follows:

reaction paper 1 -- rp1.rtf
reaction paper 2 -- rp2.rtf
reaction paper 3 -- rp3.rtf
reaction paper 4 -- rp4.rtf
reaction paper 5 -- rp5.rtf
reaction paper 6 -- rp6.rtf
reaction paper 7 -- rp7.rtf
Course project segment -- cps.rtf, cps.pdf, cps.wav, etc. (Dr. Dallas will assist with converting this assignment)
Analysis paper rough draft -- aprd.rtf
Analysis paper final -- apf.rtf

Final exam -- 10 points:
The final exam will consist of a response to a given article, using a rhetorical term or a claim.
The original document will be turned in at the end of the final exam period. Follow the assignment format above for preparing your response. Check your print balance before the final examination to ensure that you will be able to print and turn in the final response.

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This page last updated October 2009
by Charlene La Chatte
for Blak Kat Productions.
copyright © 1999-2009 | Fenobia I. Dallas